To quote the user guide: “The Deconstruct module will analyze your audio selection and separate the signal into its Tonal and Noisy audio components. De-construct:ĭe-construct lets you change the balance between the noise and tonal elements in a sound. There’s unfortunately no way to process a selection with a chain of plugins in one go, unless you use the batch processor which doesn’t work in the same way. I selected a few frequencies of every snare hit with the magic wand selection tool and then used Camel Audio’s CamerCrusher: What makes it fun/useful/powerful is that you can use any of the frequency selection tools and process only your selection. Loading up a third party plugin is as simple as hitting the ‘Plug-In’ button on the right hand pane, selecting a plugin and hitting preview or process. There are very few phasing artefacts and besides its creative uses, it should be great for converting mixes between different frame rates (if in stereo) or for some extreme ADR post-processing. A 120% time stretch and -12 semitone pitch shift.No time stretch but with +24 semitones formant shift.A more subtle setting, at 120% with the default settings.It is also a cool almost-like-ring-modulation effect!) Some extreme time stretching, at 500% with the default settings (I’m surprised by how well it has retained the attack of the transients.I processed the snippet of the drum recording through a variety of settings: Every new audio file replaces the existing audio file in the session. It would also be great if it could support multiple sessions. I wish it supported more than two channels. It also is possible to copy, paste and cut different bits of audio together (although not as conveniently as a dedicated audio editor would allow you to). ![]() Furthermore its can sample rate convert (with filter options I’ve seen in no other software convertors I’ve used), apply dither and has various channel operations for stereo files. To be further useful as an audio editor, it supports multiple time formats (hh:mm:ss:ddd, samples and frames), has gain control, can create fade ins and outs and has a choice between an analogue styled IIR filter and linear phase FIR filter (equalisers, both great sounding). I used the ‘Trim To Selection’ option to choose a chunk out of the three and a half minute recording and saved it as a separate file. I dug out an old multi-track drum recording and decided to use one of the room mics. The standalone version of RX works well as an editor. For this review I have explored most of the features using the standalone application. ![]() RX 2 works both as a standalone application and as plugins in your favourite DAW.
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